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Beyond
Tradition: Contemporary Taiwanese Ceramics
Organized
by the National Museum of History, Taipei, Taiwan.
January 27, 1990 - June 10, 1990
Third floor, North Gallery
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Ewer
China, 800s
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Tang
Ceramics from the Sze Hong Collection
February 17, 1990 - December 30, 1990
Fifth floor, Gates Foundation Gallery
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Snuff Bottle
China, 1736-1795
Photo by William Corey
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Chinese
Snuff Bottles from the Pamela R. Lessing Friedman Collection
October 6, 1990 - December 2, 1990
Third floor, North Gallery
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Transcending
Turmoil: Painting at the Close of China's Empire, 1796-1911
Organized
by the Phoenix Art Museum. Made possible with support from
the National Endowment for the Humanities, the National
Endowment of the Arts, and the Dial Corporation.
November
7, 1992 - January 3, 1993
First floor, Bach Wing
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Ladik Prayer Rug
Turkey, about 1920
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Istanbul
to Beijing: Selected Textiles from the Sarkisian Collection
February 7, 1993 - December 12,
1993
Fifth floor, Changing Exhibition Gallery
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Hill Jar
China
100s BC-AD 100s
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Pathways
to the Afterlife: Early Chinese Art from the Sze Hong Collection
February 7, 1993 - April 17, 1994
Fifth floor, Sze Hong Gallery
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Window Vase
by Malcolm Wright
United States, 1991
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Bridge
of Fire: Two Potters East and West
Organized
by the Museum of Fine Arts, Springfield, Massachusetts.
Made possible with support from Junichi Iwasaki, Hotel Clio
Court-Hakata, and the Mary Livingston Griggs and Mary Griggs
Burke Foundation.
January
22, 1994 - August 7, 1994
Fifth floor, Changing Exhibition Gallery
To
Point of View
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Wheel of Healing
1994
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Wheel
of Healing: Living Art of Tibetan Buddhism
Made
possible with cooperation from Ganden Jangtse Monastery
and the Colorado Friends of Tibet.
January
31, 1994 - February 7, 1994
Fifth floor, India Gallery
Video
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Watchtower
China
100s BC-AD 100s
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Ancient
Chinese Art from the Sze Hong Collection: Visions of Han
Dynasty Architecture
May 28, 1994 - January 7, 1996
Fifth floor, Sze Hong Gallery
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Hairpin
(detail)
China
900s-1200s
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Adornment
for Eternity: Status and Rank in Chinese Ornament
Made
possible with support from the Joseph and Loretta Law Foundation,
the Woods Publishing Company, Celeste and John Fleming,
Mary Ellen and Todger Anderson, and Richfield Hotel Management
Inc.
October 15, 1994 - September
3, 1995
Fifth floor, Changing Exhibition Gallery
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Mongolia:
The Legacy of Chinggis Khan
Organized
by the Asian Art Museum of San Francisco in association
with the Ministry of Culture, National Museums, and National
Library of Mongolia. Made possible with support from the
National Endowment of the Humanities, the Henry Luce Foundation,
the National Endowment for the Arts, and with cooperation
from the Federal Council on the Arts and Humanities. In
Denver, made possible with support from Cyprus Amax Minerals
Company, Echo Bay Exploration Inc., Newmont Mining Corporation,
Amax Gold Inc., an anonymous donor, the Laura Jane Musser
Fund, Premier Bank, the Asian Art Association, the National
Endowment for the Arts, Wagenlander and Associates, and
Jerrold L. Glick, and with cooperation from the Denver Post,
NEWS 4, and the Colorado Mongolia
Project.
November
11, 1995 - February 25, 1996
First floor, Bach Wing
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Pair
of Court
Officials
China, 700s
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Honoring
the Soul: Ancient Chinese Tomb Figures from the Sze Hong
Collection
January 27, 1996 - December 14,
1997
Fifth floor, Sze Hong Gallery
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Rainbows
and Shimmering Bridges: Contemporary Japanese Lacquerware
Organized
by the Japan Society Gallery. In Denver, made possible with
support from Pentax Corporation, Pratt Management Company
LLC, and Sumitomo Corporation of America.
April
20, 1996 - July 21, 1996
Fifth floor, Japan Gallery
and Changing Exhibition Gallery
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Hayagriva
Mandala
1996
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Hayagriva
Mandala
Made
possible with support from the Asian Art Association, Asian
Art Department Acquisition Fund, and the NBT Foundation,
and with cooperation from Seraje Monastic University, Witness:The
Human Rights Archive/Memorial Project, and the Iliff School
of Theology.
September 10, 1996 - September
22, 1996
First floor, Bach Wing
Monks
Making Mandala
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Photography
and Beyond in Japan: Space, Time and Memory
Organized
by the Hara Museum of Contemporary Art, Tokyo. Made possible
with support from the Nippon Foundation, the Japan-United
States Friendship Commission, the Asahi Shimbun Cultural
Foundation, the Japan Foundation, the Kao Foundation for
the Arts, and the Hara Museum Fund, and with cooperation
from Japan Airlines, Canon Corporation, Fuji Creative Company,
the American Federation of Arts, and the Japan Consulate
General in San Francisco.
In
Denver, curated by the Modern & Contemporary Art Department.
October
12, 1996 - January 5, 1997
First floor, Morgan Court
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Danteshwara
Bastar
1900s
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Tribal
Metalwork of Eastern India: Objects for the Home, Shrine
and Bazaar
This exhibition features small works
created by Hindu artisans for their tribal customers and,
more recently, for sale as trade goods. Selected from the
Denver Art Museum's collection, these objects depict animals,
divinities, tribal dancers, and figures performing religious
rites.
December 14, 1996 - March
29, 1998
Fifth floor, Changing Exhibition Gallery
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Album Page
by Cheng Tinglu
(1796-1858)
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Treasures
from the Dr. S. Y. Yip Collection: Classic Chinese Furniture,
Painting and Calligraphy
This exhibition features an extraordinary collection of
classical Chinese furniture, painting, and calligraphy.
Furniture from the Ming Dynasty (1368-1644) is prized for
the beauty of the wood (huang huali, a tropical hardwood)
as well as the complexity of the joinery, and the collection
includes a rare clothing rack, a magnificent pair of display
cabinets, chairs, bookshelves, and tables. In addition,
fine examples of painting and calligraphy are on view.
January 10, 1998 - January 9, 2000
Fifth floor, China Gallery
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Striding Duck
China
100s BC-AD 100s
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Eternal
Companions: Animal Figures from Chinese Tombs in the Sze
Hong Collection
Ceramic
and bronze figures of animals are often found in Chinese
tombs. This exhibition features burial objects from the
Han (206 BC-AD 220) through Tang (618-907) dynasty, including
dogs, horses, sheep, camels, pigs, geese, and imaginary
creatures. The tomb figures represent not only animals from
daily life but also those with spiritual and symbolic significance
in the afterlife.
January 10, 1998 - January
17, 1999
Fifth floor, Sze Hong Gallery
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Genje Rug
Caucasus, about 1800
Photo by Don Tuttle
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Prayer
Rugs of the Caucasus
Boldly colored, with predominantly geometric patterns, Caucasian
prayer rugs of the nineteenth century have been described
as "a view into paradise." The region known as the Caucasus
now covers several independent countries, including the Republics
of Georgia and Azerbaijan. Women from the Caucasus weave these
rugs at home for devotional or domestic use. This exhibition
of twenty-six rugs provides a rare peek into nine of the most
important private collections in the country.
May 16, 1998 - July 26, 1998
Fifth floor, Changing Exhibition Gallery and Southwest Asia
Gallery
Made possible with support from the American Conference on
Oriental Rugs,
and organized by the Textile Art Department and the Asian
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Inspiration
and Imagination: Cross-Cultural Influences in the Textile
Arts
Textiles are the ultimate artistic ambassadors. Since early
times, easily transported luxury fabricswhether
intended for international trade or diplomatic giftshave
brought the aesthetics and designs of diverse cultures into
contact with each other. This exhibition presents a few aspects
of this intricate and complex subject.
May 16, 1998 - October 18, 1998
Sixth floor, Neusteter Textile Gallery
Organized by the Textile Art Department. |
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Jade Boat
China, 1600s
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White
on White: Chinese Jades and Ceramics from the Tang through
Qing Dynasty
The elegant jade and ceramic objects in this exhibition reveal
subtle variations of the color white. A variety of exquisite
pieces ranging in date from the 700s through 1800s are included
from Hong Kong collections belonging to Dr. and Mrs. Henry
Wong and Kai-Yin Lo. The objects represent an aspect of Chinese
taste that favors simple coloration, refined shapes, and intricate
surface details.
October 3, 1998 - October 31, 1999
Fifth floor, Changing Exhibition Gallery |
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Wine Jars
China
100s BC-AD 100s
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Ancient
Chinese Bronzes from the Sze Hong Collection
The Chinese believed that bronze, not gold,
was the ultimate status symbol, so much so that lavish bronze
objects often accompanied the elite inside their tombs. This
exhibition showcases the pioneering technical and artistic
achievements of Chinese metalworkers from the Shang through
Tang dynasty (about 1500 BCAD 907) and reveals how bronze
became the metal of choice for ceremonial vessels and other
prestigious objects.
February 6, 1999 - February 6, 2000
Fifth floor, Sze Hong Gallery |
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Flower
Containers and Dish
1997-98
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Takashi
Nakazato: Contemporary Pottery from an Ancient Japanese
Tradition
Takashi Nakazato (b. 1937) is a member
of the thirteenth generation of an unbroken lineage of Karatsu
potters. Having mastered ancient forms and techniques, Nakazato
adapts these centuries-old traditions to contemporary forms
and designs distinctly his own. He has the reputation of
being the most skilled ceramic thrower in Japan. This exhibition
is devoted solely to Nakazato's works made at Anderson Ranch
Arts Center in Snowmass Village, Colorado.
November 20, 1999 - October
8, 2000
Fifth floor, Changing Exhibition Gallery
Made
possible with cooperation from Kimiko and John Powers and
the Anderson Ranch Arts Center.
To
Point of View
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