Pair of Flasks
China
Late 200s-1 BC

Sunken Treasures: Ming Dynasty Ceramics from a Chinese Shipwreck
This exhibition includes ceramics from the cargo of the San Isidro junk, a Chinese ship that sank off the Philippine coast. It was discovered in 1995 near the village of San Isidro, north of Manila. The ship's inventory included bowls and dishes made in the early 1500s, probably at a kiln in Fujian province in South China. Most of the ceramics are simple utilitarian wares with floral designs painted in underglaze cobalt blue. They provide information about a commercial network that existed between China and the Philippines that eventually extended to Europe and the Americas.
November 18, 2000 - October 20, 2002
Fifth floor, William Sharpless Jackson Jr. Gallery
Made possible with cooperation from Frederick R. Mayer, the Palace of the Governors in Santa Fe, and the Far Eastern Foundation for Nautical Archaeology.
Excavation Photos

China Meets the American Southwest: Pottery Designs and Traditions
This exhibition presents a fascinating look at pottery traditions from opposite sides of the globe—Native American pieces from the museum's collection are shown next to ancient Chinese examples on loan from the Sze Hong Collection. Many people assume a cultural connection between these ceramics because there is a resemblance of materials, techniques, shapes, and motifs. But there is no proof this is true. Fifty exceptional vessels are on view to compare and contrast.
March 24, 2001 - April 28, 2002
Fifth floor, Sze Hong Gallery

Contemporary Botanical Art: The Shirley Sherwood Collection
An Oxford University-trained botanist, Dr. Sherwood has collected more than 450 paintings and drawings of botanical subjects. The collection includes works by artists living in China, India, Japan, the Philippines, and thirteen other countries. This exhibition of over 150 works provides visitors with an opportunity to see an incredible worldwide renaissance of botanical art. As an art form, botanical art is at its best when the illustration represents a delicate balance of the prosaic and the poetic, beautifully displayed in these fine pieces of art.
November 2, 2002 - January 12, 2003
First floor, Hamilton Gallery
Made possible with support from the Bank of Cherry Creek, and curated by the Painting & Sculpture Department.

Fabulous Floral Fabrics
The textiles on view in this exhibition come from three continents—Europe, Asia, and America—and span more than three centuries. Like a garden that harmoniously combines native plants and exotic flowers, the exhibition juxtaposes objects as diverse as an American quilt and an embroidered cover (suzani) from Uzbekistan. Created from a variety of techniques, the flora ranges from recognizable blossoms gathered into tidy bouquets, to a tree of life bursting with imaginary blooms, to a kaleidoscopic garden stitched together from junk mail.
November 23, 2002 - May 4, 2003
Sixth floor, Neusteter Textile Gallery
Organized by the Textile Art Department.

Lighter than Air: Gauze Robes from China
Lightweight and semi-transparent, open-weave silk garments were a functional yet beautiful response to China’s summer heat and humidity. Embroidered with auspicious images in colorful silk as well as gold and silver threads, or displaying subtle woven patterns that appear and disappear with shifting light, the ten diaphanous robes in the exhibition are from a seldom-seen part of the Denver Art Museum’s textile art collection. Dating from the late 1700s to the early 1900s and ranging from informal robes to semiformal court attire (so-called dragon robes), these garments present a glimpse of court life during the Qing dynasty. Most were collected by Charlotte Hill Grant in China in the 1920s and 1930s and illustrate not only enduring traditions but also the influence of the Empress Dowager Cixi (1835-1908) on the fashions of her time.
May 17, 2003 - November 30, 2003
Sixth floor, Neusteter Textile Gallery
Organized by the Textile Art Department and the Asian Art Department.
Virtual Exhibition

Japanese Art from the Colorado Collection of Kimiko and John Powers
Kimiko Powers and her late husband, John (1916–99), collected more than three hundred Japanese objects, which she is lending to the Denver Art Museum. Ranging in date from the fourth to the mid-nineteenth century, the Kimiko and John Powers Collection is particularly strong in Buddhist art, Zen calligraphy, and eighteenth-century scholar's paintings. The installation includes a selection of screens, hanging scrolls, lacquers, ceramics, and Buddhist sculptures that reveal the breadth and beauty of this Colorado collection.
October 7, 2006 - July 8, 2007
Gallagher Family Gallery
First floor, Hamilton Building
Exhibition Photos
Point of View

Radar: Selections from the Collection of Vicki and Kent Logan
About sixty paintings, sculptures, photographs, and installations by artists from China, Japan, Germany, Great Britain, the United States, and other countries are drawn from the extended Collection of Vicki and Kent Logan. The exhibition includes gifts to the Denver Art Museum and San Francisco Museum of Modern Art as well as ungifted works. One of the featured pieces is DOB in the Strange Forest, a FRP resin, fiberglass, and acrylic sculpture by Takashi Murakami (born 1962).
October 7, 2006 - July 15, 2007
Anschutz Gallery
Level 2, Hamilton Building
Organized by the Modern and Contemporary Art Department

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